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Season 3 Episode six: Peter Whelan

I recently interviewed the fabulous bassoon soloist and conductor Peter Whelan. Peter is not only a concerto soloist, he is in abiding demand as a soloist and chamber musician. He has performed in many prestigious venues around the earth, and he is also the founder and Artistic Manager of Ensemble Marsyas, and the Artistic Director of the Irish Baroque Orchestra. He is also an Artistic Partner of the Irish National Opera. We speak about many interesting and inspiring topics like his musical journeying, how he institute his voice in early on and bizarre music, his studies with Sergio Azzolini, how he got into conducting and directing, his work with the Ensemble Marsyas, how we tin can stay inspired when performing and interpreting overly-played repertoire, "the game" in interpreting early music, the importance of musicians in finding "a middle ground", his upcoming projects and he speaks near his new disc, "Mozart's Bassoon. Works for solo Bassoon". He even teaches me some Irish slang. Heed to his album here: https://open up.spotify.com/album/4FhwOW1szuLuPMhpAsWeK8?si=EogfQ_wpRvSQw1Y1DlWuGw Find out more than almost him: https://world wide web.peterwhelan.co.united kingdom of great britain and northern ireland/almost/ LOR is now sponsored by Barton Cane, to enjoy free aircraft use the coupon code "legendsofreed".  https://world wide web.bartoncane.com/

01:04:22

Apr 21, 2022

Season three Episode five: Daniel Matsukawa

Daniel Matsukawa has been the principal bassoon of The Philadelphia Orchestra since 2000. He studied at the Juilliard School and the Curtis Institute of Music. His teachers include Harold Goltzer, Alan Futterman, and Bernard Garfield. Mr. Matsukawa fabricated his solo concerto debut in Carnegie Hall at the age of 18 and was featured in a Young Artist'due south Showcase on New York's WQXR classical radio station. Since then he has appeared as a soloist with orchestras in the United States, Japan, and New Zealand. Prior to his post with The Philadelphia Orchestra, Mr. Matsukawa served as primary bassoon with the National Symphony in Washington D.C., the Saint Louis Symphony, the Virginia Symphony Orchestra, and the Memphis Symphony. Mr. Matsukawa is a fellow member of the faculties at both the Curtis Institute of Music and the Boyer Higher of Music at Temple University. In 2019, Mr. Matsukawa has served equally a fellow member of the prestigious jury console for the Tchaikovsky Competition in Saint Petersburg, Russia. Afterward that same year, he served as a member of the jury panel for the ARD Competition in Munich, Germany. Find out more than about him hither: https://www.philorch.org/your-philorch/see-your-orchestra/musicians/daniel-matsukawa/ I am joined by my friend, bassoonist Francisca Bastos who is a guest co-host on this episode. BYOM Academy: https://world wide web.beyourownmanager.com

01:10:39

February 02, 2022

Flavor 3 Episode iv: Frank Morelli

On this episode I am very pleased to share my interview with 1 of near renowned American bassoonists, Mr. Frank Morelli.  He is the first bassoonist awarded a Juilliard doctorate, and has been a Carnegie Hall soloist nine times. He performed at the last White House State Dinner for President Clinton and is Co-principal bassoon of the Orpheus Chamber Orchestra. Faculty positions include Juilliard, Yale, Manhattan School of Music, SUNY Stony Beck and Queens College. His over 180 recordings include MSR Classics solo CDs From the Heart, Romance and Caprice, Bassoon Brasileiro and Bizarre Fireworks. Gramophone Magazine proclaimed that "Morelli's playing is a joy to behold." American Tape Guide stated: "the bassoon playing...is as skilful as it gets." We speak near his teaching philosophy, his musical journey and being one of the first bassoonists to have a "portfolio career", his musical influences, his favourite memories playing with the Orpheus Chamber Orchestra, his foray into jazz with the album "The Ox-Mo Incident", his thoughts on the classical music industry and tips for the future generation of classical musicians, what he would like to be remembered for and even what the "theme song" of his life would be.  Visit his website at www.morellibassoon.com

48:16

December 19, 2021

Season 3 Episode three: Judith Farmer

On this episode, I am pleased to have bassoonist, Judith Farmer on the show. We had an interesting chat about interesting topics such every bit her education philosophy, how she stayed productive during the pandemic, what working in film recording and session work is like, what are the differences between American and European bassoon playing styles and more than. 2016 GRAMMY® Award nominee Judith Farmer's playing has been described by critics as "impeccable" (American Record Guide), "masterly" (Fanfare Magazine), "absolutely superb"(Classical CD Reviews) and "brilliant" (Kronenzeitung, Republic of austria). Judith is currently a member of the Los Angeles Opera Orchestra, the Pasadena Symphony and the Long Beach Symphony. She has played on the scores of over 200 major motion pictures, such equally Frozen, The Pirates of the Caribbean area,  Toy Story 2, Spiderman 3, Indiana Jones IV, Star Wars Seven and A. I., Men in Black Three and many more. She teaches  bassoon at the University of Southern California and held guest chief classes at numerous American universities. She received her education at Indiana University and at the Hochschule für Musik in Vienna. Judith is an gorging chamber musician, who enjoys collaborating with composers on new works and has had numerous works written and dedicated to her. Together with her hubby, composer Gernot Wolfgang, she co-produced four CDs of his chamber music for Albany Records, including Passing Through for which she received a 2016 GRAMMY® nomination in the category Best Classical Compendium. Her latest release, "Judith Farmer plays Favorites" is available on Spotify: https://open up.spotify.com/album/2Q6wl6WCgsC1FQFvo0Z6ts https://www.judithfarmerplaysfavorites.com/ Opening music: "Depression Agenda" by Gernot Wolfgang for bassoon & contrabass

30:29

September 30, 2021

Flavor 3 Episode 2: Martin Kuuskmann

Martin Kuuskmann is a multiple Grammy-nominated Estonian-born bassoon virtuoso, Moosmann artist, and the Professor of Bassoon and Chamber Music at the University of Denver. A graduate of the Manhattan School of Music and the Yale School of Music, his mentors include Stephen Maxym, Frank Morelli, Rufus Olivier and Ilmar Aasmets. On this episode, we talk about his recent and upcoming projects, some of his favourite musicians and collaborators, his partnership with Moosmann bassoons, and some of the lessons he learnt in his career. To find out more near him, please visit: http://kuuskmann.com

51:14

June 25, 2021

Season 3 Episode 1: Alban Wesly

Welcome back to a make new season of LOR. In this episode (recorded in summer 2020) I interview Alban Wesly, a musician based in Amsterdam. He is proud to be the bassoonist/founding fellow member of Calefax (Amsterdam) and to have been the bassoonist of Ensemble Musikfabrik (Cologne) for 22 years. Since September 2018 Alban teaches bassoon at the Regal Conservatoire in The Hague. As the bassoonist of the award winning reed quintet Calefax and the internationally acclaimed Ensemble Musikfabrik Alban  is considered as one of the near versatile bassoonists of this time. Calefax is one of the longest operating chamber music groups in the Netherlands, and worldwide trendsetter for a new genre: the Reed Quintet.  We talk about interesting topics such equally touring, his interest in new music, tips on maintaining a chamber ensemble, making programming choices, and a funny travel anecdote of the "airline luggage crisis" in Aberdeen and much more than. To find out more about Alban, visit: http://wesly.european union https://calefax.nl/en/ If yous've enjoyed this podcast, do share/like/subscribe! :)

01:14:30

March 13, 2021

Season 2 Episode 9: Joost Flach

Joost Flach'due south long and fruitful musical journey every bit an oboist began in kingdom of the netherlands. During 1984, following the completion of his studies, he began a global search for piece of work opportunities. This planted his migration and  current residency to Singapore. Over the years this initial venture has blossomed, and developed into many opportunities throughout South-Eastern asia.  He has been a regular member (namely every bit Sub-Principal Oboist) of the Malaysian Combo, The Singapore Symphony Orchestra and Bangkok Symphony Orchestra. Since his retirement from the Malaysian Philharmonic in 2014, Joost has become more involved with education and education.  Connecting with Asian composers has evolved into the commissioning of several chamber music works that characteristic the oboe, and other works for wind ensembles. His multitude of skills equally a performer, instructor and composer has also developed into the conducting of many current of air ensembles. Through these experiences, he has witnessed enormous expansions inside the Southeast-Asia music scene. Joost has also worked for the Ministry of Education in both Singapore and the Netherlands, and is currently Head of Winds at NAFA School of Music.

01:01:46

Baronial 29, 2020

Season 2 Episode 8: Roger Birnstingl interviewed by Ole K. Dahl

This episode is kindly contributed by Ole G. Dahl.  Ole interviewed his former teacher and mentor, Prof. Roger Birnstingl, during the polish bassoon festival Pracownia fagocisty 2020, thank y'all to our guest contributor and the festival director Arek Adamczyk for releasing this interview to our listeners!  In the meantime, if you lot accept any suggestions or feedback, we would love to hear from y'all,  please email u.s. at legendsofreed@gmail.com

01:30:30

August 21, 2020

Season 2 Episode seven: Jaroslaw Augustyniak

Jaroslaw Augustyniak was built-in in Lodz, Poland in 1965. In 1988 he graduated with distinction from the University of Music in Łódź, Poland with a master'south degree in Bassoon and Chamber Music. A year later on he was a laureate in several prestigious competitions and so Jarek furthered his studies under the guidance of Vincenzo Menghini - RAI Turin. Jarek was appointed as Primary Bassoon of the BBC National Orchestra of Wales in December 2004. He joined BBC National Orchestra of Wales after a thirteen-year post as Principal Bassoon with the Basque National Orchestra, Kingdom of spain. His professional life has seen him to move from Poland, through Portugal, Espana and Denmark to the Uk. He has been given the opportunity to play in near all European countries and every bit far afield as the U.s., Argentina, Chile and China - in many prestigious venues including Wien Konzerthaus, London Royal Albert Hall, Berlin Konzerthaus, Amsterdam Concertgebouw under many famous conductors. In addition, Jarek has fostered an active solo career, He recorded soundtrack solo bassoon for the Anri Sala film "1395 Days Without Ruby" – followed by a solo appearance in Heart Georges Pompidou in Paris. During his career Jarek has been a guest primary in many festivals and orchestras like the London Symphony Orchestra and the BBC Philharmonic. We speak about how he is coping with the Covid-19 lockdown, the opportunities that the pandemic could bring, the origins of his online lecture series "Ventus Optimus", his collaboration with contemporary composer Julia Plaut involving a vacuum cleaner, how his broad travels and close family life influenced his creative life and the intricacies of playing in a film soundtrack. To detect out more well-nigh him, visit: https://www.jaroslawaugustyniak.com/ If y'all have enjoyed this podcast, please like, subsribe or share!

53:12

July 14, 2020

Season 2 Episode 6 Niño Rubén (English & Spanish)

On this special bi-lingual episode I speak to Niño Rubén - a young and talented Spanish bassoonist.  He is joined by his friend Carmen Hildago, who assists us in translation. One of the most fascinating, and innovative solo bassoonists currently. Rubén is also a keen composer. He won the Special Prize of the 1stSeville Double Reed Society in Spain for his outstanding functioning and musical talents. After his Bachelor studies, he became a finalist in the RTVE Virtuosos National Contest and started caving out his own unique path. Improvising and composing at a very young age, he has presented his own compositions at many festivals, and is particularly focused on researching the fine art of the flamenco.  We speak about interesting topics such equally his passion for flamenco music, and the historical significance of the flamenco. Nosotros likewise talk virtually breaking barriers in classical music by making the bassoon the protoganist and soloist in concerts, how he started improvising and composing and his compositions and favourite concerts.  We as well compare our creative process and discuss the connection between silence and creativity, how he plant his ain voice and compositional mode and him searching and finding his artistic freedom. We also share some fun facts about ourselves and discuss collaborating on a Corona playlist together.  To find out more than well-nigh him, delight visit: https://www.ninoruben.net/

57:21

June 27, 2020

Flavour 2 Episode five Rachel Bullen

Rachel Bullen studied with  Emanuel Abbühl and François Leleux in Europe after her initial studies in Melbourne. Rachel performed as an orchestral musician in Europe in many orchestras including kingdom of the netherlands Radio Chamber Orchestra, Southward Jutland Symphony Orchestra, and Aarhus Symphony Orchestra and has toured as a soloist in many European countries and she was a total-time sleeping accommodation musician from 2010 - 2016 with Esbjerg Ensemble in Kingdom of denmark. In 2016, Rachel returned to Australia permanently and played every bit guest main oboe with Melbourne Symphony Orchestra, Orchestra Victoria, and acting principal with Adelaide Symphony for about of 2019.  Currently, Rachel teaches at the Melbourne Conservatorium of Music, and performs equally a freelancer. Nosotros hash out interesting her musical influences and musical journey from Melbourne to Europe and interesting topics such as the importance of playing as naturally and effortlessly as possible,  the importance of giving students the freedom to teach themselves, her almost memorable chamber concert experience,  the psychology backside peak operation, dealing with performance anxiety and overcoming professional setbacks that may arise while working as a strange musician in Europe. Her website: https://world wide web.rachelbullenoboe.com Study with Rachel: https://www.playwithapro.com/alive/Rachel-Bullen/

46:40

June 08, 2020

Episode 4: Rebekah Heller

I am very excited to share an interview I did with Rebekah Heller that was conducted in early April. Rebekah is a solo bassoonist based in New York and has been praised for her "flair" and "deftly illuminated" performances by The New York Times. Not only  a uniquely dynamic solo and collaborative artist, she is fiercely committed to expanding the modern repertoire for the bassoon and has appeared as soloist with many prestigious orchestras such as The New York Philharmonic and is co-creative director of the International Contemporary Ensemble. Likewise performing she has an active instruction career and teaches at the International Contemporary Ensemble'south summer plan, Ensemble Evolution, and is besides on the bassoon kinesthesia at the Mannes School of Music at The New School College of Performing Arts. We had a fun chat about many topics including contemporary music, commissioning and working with composers, fund-raising, extended technique, covid-nineteen and share some of our surfing mishaps! To find out more about Rebekah, visit her website: http://www.rebekahheller.com/ To back up the podcast, y'all could consider supporting me hither: https://joannesukumaran.bandcamp.com/

52:08

May 09, 2020

Episode 3: Special Edition Online lecture feat. Ole Chiliad. Dahl with Poznan Bassoon Class

Welcome to a special edition of Legends of Reed. Large thanks to Kristian Oma Ronnes for this contribution.  Today I am very glad and grateful to characteristic a invitee contribution from Kristian Oma Ronnes. Together with Arek Adamczyk, they hosted an online lecture on Zoom for bassoon students and graduates from the Music Academy in Poznan. This lecture was chaired past invitee speaker Prof. Ole K. Dahl from Muho Mannheim. The subject field of this lecture is "How to go the most of your practicing when time is limited". These are very difficult and foreign times for the arts and artists.  Working and practicing from home tin can be challenging and isolating if your neighbours are not fans of practicing.   Listen in as Ole gives valuable advice on the value of  maintaining a regular routine and do a compressed version of Drills and he even takes questions from Facebook live. Don't forget to check out Kristian'south interview with me in Season 1.  Please stay well and healthy and enjoy the lecture.

01:25:58

May 08, 2020

Episode 2: Nadina Mackie Jackson

Solo bassoonist, Nadina Mackie Jackson is the most widely recorded Canadian bassoonist in history with xiii solo albums, 8 bedchamber music recordings and dozens of albums with symphony, chamber and historical instrument orchestras. A true communicator, she combines her love for images, words and music in many unique concert series. Nadina speaks about her musical origins, and how she came to get a solo bassoonist. She non only produces her own concerts but she is also a visual artist. She discusses key topics like the importance of releasing music, fundraising and the importance of having a written contract. She is very mindful of the challenges faced by young bassoonists and explains that obstacles really test one's commitment. She also shares on her concert series "Bassoon Out Loud", "Darwood's Wild Bassoon", "Ophelia Speaks". She established the Council of Canadian Bassoonists to support young Canadian bassoonists and discusses her education career. I even detect out why she has blue hair! For more infö, please visit: https://nadinamackiejackson.com/ Support the Council of Canadian Bassoonists: https://www.councilofcanadianbassoonists.ca If you have enjoyed this podcast, do like, share or subscribe to the podcast. To support me make better content please become to: https://joannesukumaran.bandcamp.com/

56:45

March 08, 2020

Season two Episode 1: James Austin Smith

James is an artist of the Bedchamber Music Society of Lincoln Center, the International Gimmicky Ensemble (Water ice) and Decoda, co-main oboist of the Orpheus Bedchamber Orchestra and Artistic and Executive Managing director of Tertulia, a chamber music series that takes identify in restaurants in New York and San Francisco  He is a fellow member of the oboe and sleeping room music faculties of Stony Brook Academy and the Manhattan School of Music. On this episode, I speak to James nearly very interesting topics: · his musical origins, · his sleeping accommodation music series, Tertulia, · the power of bedchamber music & how he came to focus on information technology · what qualities presenters look for when booking artists · how to  "turn the dial" as classical musicians and abound new audiences · how he stays inspired and how to continue an interpretation "fresh" · the benefits of having a life exterior music · his "dream program" and more. To find out more than about James, delight visit: www.jamesaustinsmith.com world wide web.instagram.com/jaustinsmith www.tertuliamusic.org If yous have enjoyed this podcast, rate/subscribe and share the podcast.  You could consider supporting me here on band camp: https://joannesukumaran.bandcamp.com/

34:04

February 01, 2020

Episode 11: Kristian Oma Rønnes

   Kristian is a young and accomplished Norwegian Composer & Bassoonist.  He is currently Master Bassoon at The Baltic Opera in Poland since 2018. He studied bassoon with Robert Ronnes, Dag Jensen, Ole K. Dahl and Klaus Thunemann. His YouTube aqueduct has been awarded i of meridian 25 channels in the world and he tirelessly contributes to the bassoon world past his many arrangements, restorations and his research for extended technique, fingerings and his discoveries of unknown works. He became a Moosmann artist at historic period 26. Quote from interview: "I think that professionalism doesn't automatically come with winning an audition." Some topics we hash out: - the electric current conservatory education system and subjects conservatories Kristian feels conservatories should focus on to help students go a job. - The wide range of career options available at present for a musician, besides the orchestral path. - an platonic practicing schedule, the importance of challenging oneself and pushing one against one'south limits.  - The communication he received from Klaus Thunemann on practicing  - Some of his personal audition tips and how to stand out from the crowd. - What motivates him - How we can promote the bassoon - Which composer he would like to have lunch with.  - His interesting story of him playing Rite of Spring for the first time and the surprise guest in the audience.  - His collaboration with Bernd Moosmann to develop the bassoon's mechanic. To detect out more nearly Kristian, please visit: https://world wide web.kristianomaronnes.com If you lot've enjoyed this podcast, please take a moment to charge per unit or subscribe. To help me make better content, please consider supporting the podcast here: https://www.patreon.com/jewelair

forty:60

May 24, 2019

Episode x: Jeffrey Lyman

Jeffrey Lyman is Professor of Bassoon at the University of Michigan. has established himself equally one of the premier performers, teachers, and historians of the bassoon in the U.S.   He coordinates two popular YouTube channels: 1 with more than 160 alive recordings of Lyman and his students at the University of Michigan, and the other featuring trios and duos for oboe, bassoon and piano with Nancy Ambrose Male monarch and Martin Katz.  On this episode, I discover out how  · Jeffrey maintains such an exciting & diverse and bassoon studio.  · We talk about one of his students - Euceph Yousef El-Magharbel who makes absurd, bassoon funk videos. His recommendations for unique composers.  · The weirdest places he has ever performed and practiced in. · The most important career communication he has ever received. · Nosotros discuss should musicians (ever) accept non-paying gigs for exposure. · How can one bargain with naysayers and detractors as a musician, for eastward.g. internet trolls?  · How to committee a composer equally a musician · If he could sum upwards your life in a volume title, what would it be? · Some of his upcoming projects  · What he likes to practice in his free time and hobbies. To find out more than about him, please visit: http://www.jefflymanbassoon.com If you take enjoyed this podcast, please consider supporting me on Patreon:  https://www.patreon.com/jewelair

52:36

May 07, 2019

Episode ix: Mykyta Sierov – oboe bohemian

This episode features Ukrainian oboe soloist and sleeping accommodation musician, Mykyta Sierov. He is an independent oboist based in Weimar, Germany – he not just plays classical music, just jazz and popular besides as his own compositions.  Since 2016 he is the solo oboist of his band, "Bosque Magico" and they have recorded in their first album "Tu Tiempo" and the band is currently touring and promoting this album in Europe and Asia.  He is highly creative, with lots of ideas and energy and explains how he manages his own career and gives valuable tips to others interested in a similar career path.  To find out more about Mykyta: visit  https://www.facebook.com/SierovMykyta/ To observe out more than about Bosque Magico:  https://world wide web.bosque-magico.de/index.php?language=en&id=156 To support the podcast and help me make better content:  https://www.patreon.com/jewelair

33:04

Apr xix, 2019

Episode eight: Sophie Dervaux (special live edition)

Recorded: 12 December 2018 Please note that this interview has quite some background dissonance from the concert hall. I managed to have a chat with Sophie Dervaux backstage in the world-renowned Vienna Musikverein Hall in December 2018. Sophie joined the Vienna State Opera Orchestra and the Vienna Philharmonic as principal bassoon in 2015. Previously, she was chief contrabassoon of the Berlin Combo from 2013 until 2015.  I find out nearly Sophie's favourite composers, upcoming projects and other interesting topics. Sophie shares with us her musical origins and how she chose the bassoon, subsequently initially starting on the guitar and clarinet.  She also tells us some of her most memorable concerts, being an advocate for the bassoon and the responsibility of the new generation to promote and create awareness for the instrument. She too takes us back to the day she won the job at the Vienna State Opera.  Savour listening, and subscribe or share! To find out more most Sophie, delight visit her website: https://sophiedervaux.com/ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ If you take enjoyed this podcast, and would similar to support me make better content: https://world wide web.patreon.com/jewelair Special cheers to Marcello Malatesta, for editing this audio.

27:24

March 25, 2019

Episode six: Audun Halvorsen (special live edition)

Audun is the Principal Bassoon of the Danish National Symphony Orchestra. He teaches Bassoon at the Imperial Danish Academy of Music and is Associate Prof. of Bassoon at The Oslo University of Music. I managed to catch up with him in person, in Hamburg afterward his two-twenty-four hour period masterclass at Tutti Fagotti. Audun is currently on sabbatical leave from his orchestral position in Copenhagen. Find out about Audun'south recent tour to Shanghai with Lucerne Festival Orchestra, his stance on audio, and auditioning, the importance of vowels, mental strength and we circular off with a fun chat about the Vikings. To observe out more near Audun'southward bassoon studio: https://english.dkdm.dk/International https://nmh.no/en/norwegian-academy-of-music If you've enjoyed this podcast, please charge per unit it  and or subscribe, information technology helps the podcast proceeds more visibility on iTunes.

29:45

February x, 2019

Malte is the Professor of Bassoon at Folkwang University of the Arts, in Essen, Germany.  He is an exceptional teacher, soloist, and leads a very vibrant and successful bassoon class.  Find out: 1) what he loves the most of teaching & coaching young people 2) the many career routes a student can now pursue in classical music iii) his approach in bringing out the best in his students 4) his main musical inspirations 5) what kind of reeds he uses 6) the reason why he retired from NDR Radiophilharmonie  7) his fondest memories of playing with NDR  eight) how to approach stressful moments  ix) the importance of self-management & self-talk 10) what he enjoys doing in his free time Bring together in his next masterclass at Starnberger Musiktage:  http://www.starnbergermusiktage.de Connect with Malte on FB: https://world wide web.facebook.com/MalteRefardtBassoon/ Instagram: https://world wide web.instagram.com/malterefardtbassoon/

36:10

January 17, 2019

   Paul is an award-winning jazz and fusion bassoonist with a unique musical voice. Podcast notes: 1) His musical background and him finding his calling in the bassoon 2) Despite his classical preparation and being told it was "a difficult road alee", his love for improvisation shifted him seriously towards jazz, groove and funk 3) His love for spontaneity & improvisation  4) His practical tips on how to get better at improvisation 5) His personal set up-up to play amplified bassoon 6) How he started working with Cirque du Soleil'southward ZED and his fourth dimension in Nippon 7) His reflections on his career, nigh the high level of bassoon playing worldwide 8) Bassoon is not widely known for jazz & rhythmic playing 9) His main musical inspirations and favourite bands 10) Who he would like to collaborate with (living/dead) 11) Ane of his biggest career lessons 12) His upcoming projects  To discover out more than most Paul visit: http://paulhansonmusic.com Lessons on jazz bassoon: https://www.patreon.com/paulbassoon1 Useful tool for improvisation: https://irealpro.com

45:46

January 06, 2019

On this episode I speak to Roman Reznik. Roman Reznik is the Co-master bassoon of the Oslo Philharmonic, usher and teacher. Podcast notes: 1) His musical beginnings 2) His musical inspirations 3) How he started conducting iv) His love for bizarre music 5) His harp-bassoon duo with his wife half dozen) Tips on sound and getting fix for a studio recording seven) Type of reeds he uses 8) Upcoming projects and free time nine) Communication for young musicians Listen to his anthology here: https://itunes.apple.com/us/album/bizarre-masterpieces-for-bassoon-and-harp/1170160282

43:26

September 20, 2018

Welcome to Episode 2 of Legends of Reed! I interviewed Ole K. Dahl recently. He is Professor of Bassoon at MuHo Mannheim and Guest Primary Bassoon in famous orchestras and ensembles. Due to his deep dedication and passion to teaching, Ole has been invited to give masterclasses all over the world. He is the co-writer of the bassoon method book "Drills". In this episode, I find out why Ole published Drills, what nosotros can wait in Drills 2.0, how he maintains such a successful bassoon studio and other interesting topics. To observe out more almost Ole, please visit his website: olekristiandahl.net

37:11

July 17, 2018

Episode 1: Bram van Sambeek

On this airplane pilot episode, I am thrilled to interview Bram van Sambeek. Known for his assuming and innovative artistic and programming choices, find out why Bram chose to focus on chamber music, the nomination of his "Fagerlund & Aho Bassoon Concertos" album in the BBC Music Magazine Concerto Award, and more.  To find out more about Bram, visit his website: bramvansambeek.com Legends of Reed is an interview series by Jo Anne Sukumaran, for more than information visit: joannesukumaran.com

36:10

Apr 04, 2018

barneshomad1982.blogspot.com

Source: https://anchor.fm/legendsofreeds/episodes/Season-3-Episode-4-Frank-Morelli-e1btor8

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